Wednesday, November 16, 2016

Wall-E, Not the Most Apocolyptic Tale


           
Have you ever played one of those word games where you say the first thing that comes to mind? When I hear “apocalypse” I think “sin”. And I’m not talking about our Ten Commandment standard brand of sin, not like telling a lie or cheating (both very atrocious acts). I’m talking about the type of destruction and chaos that can only be caused by a complete dearth of morals. Some of the staple apocalyptic films that Christopher Anderson names in “Post-Apocalyptic Nostalgia: WALL-E, Garbage, and American Ambivalence Toward Manufactured Goods” are caused by natural disasters, the meteor in Independence Day, but other such as the threat of mass nuclear destruction in The Day After, are examples of human flaw. A lack of respect for human life, a lack of kindness and morality.

That's not what happens in Wall-E, the humans aren't these morally corrupt and utterly lost people. They're just lazy. They’re just content getting big off of their liquefied meals and watching their TV screens, and it is this contentment that landed them on the Axiom in the first place, not a purposeful disregard for the Earth and the life on it. Anderson lists human consumers at one of the targets that Wall-E blames for the state of the planet. And while it is highly likely that Pixar is aiming its warnings of consumption and capitalism at the viewer, I don’t see any blame being put on the human characters in the film. They’re happy, go lucky people. When Wall-E saves the day, they all cheer. When they roll out of their floating bed/chairs they all helpfully attempt to catch someone else. Maybe this lack of apparent blame and finger pointing is due to the fact that the humans on the Axiom now are generations past responsibility for their situation, but unlike other classic post-apocalyptic films there is no moral wrestling or blatant guilt.

While that addresses the post-apocalyptic” points that Anderson makes about the movie, I find his ideas on nostalgia much more interesting. One of the most intriguing points that he mentions is Pixar’s careful placement of objects from Up and Toy Story that are strewn amongst the garbage that Wall-E collects. He calls this irony, because Pixar seems to be acknowledging that it is also an enabler of consumerism that will lead to heaps of merchandise in a landfill. However, I don’t believe this was Pixar’s objective at all. I believe that the memorabilia from those movies, and other historical time periods such as Sputnik and the Rubik Cube, is placed in the film because looking back on where we have been is a part of living. And furthermore, it is not just about our fond memories of history, but the “junk” we buy is proof that it happened, that we lived and that people before us lived, for those that come after us.

Wall-E doesn’t just collect Barbie dolls and old sporks, one of the nest inventions of our time by the way, he collects music and movies. Wall-E collects the things that define human culture. We’re all going to go someday, and who’s going to remember that if they don’t find any of our stuff? Who’s going to remember that Will Smith was the first rapper to win a Grammy or that Sally Ride was the first woman on the moon if I don’t keep my Fresh Prince reruns or Nasa T-shirt? We should recycle and take care of our planet, not forget memories for the sake of adopting this anticapitalistic attitude against buying stuff. Have you ever opened a woman’s purse or a little boy’s book bag? All that stuff in there, well that tells you who they are.

Wall-E is a musically inclined type of fella that appreciates a good velvet box. He has good taste in Christmas lights and likes classical movies. His personality is not defined by this stuff, but it is his personality that defines the stuff he collects. Have you ever met an antique stamp collector? I know a couple people who seem like the stamp collecting type of people.

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